Literature Review Karl Galinsky And Jack Weatherford

Literature Review: Karl Galinsky and Jack Weatherford By Niza Metoyer World History Richardson Abstract In this review I will analysis and deconstruct the works of Karl Galinsky and Jack Weatherford. The two works I will be looking at is â€Å"Augustus: Introduction to the Life of an Emperor† and â€Å"Genghis Khan and the Making of the Modern World.† This analysis will consist of a summary and deconstruction of each text as well as a comparison of the styles and structures of each author. The review will be concluded with a recount of the overall usefulness of each work. I will also touch on how effective the book was on increasing the reader’s knowledge of the subject at hand. â€Å"Augustus: Introduction to the Life of an†¦show more content†¦Including Roman customs that add to the main narrative was a great addition. Galinsky adds a new dynamic to the telling of Augustus’ life with his interpretation and depiction of the leadership and the progress made at the time. He is attempting to show the reader a more rounded picture of the life of this young emperor. The strict structure of the overall book is great in reminding the reader that this is a recount of historical events. This along with the inset boxes may at times dry out the entertaining aspects of the story being told. That being said this book is well put together and unlike the average historical text has foudn a way to keep audiences engaged while keeping structure, and fact in unison. The well-edited text was attractively presented and accompanied by an extensive and up to date bibliography. The text, although readable and sometimes humorous the content and style borders on pretentious. This could be both negative and positive as it lends itself to being more entertaining and applicable to a contemporary audiences. â€Å"Genghis Khan and the Making of the Modern World† Jack Weatherford This history text written by Jack Weatherford, Professor of Anthropology at Macalester College combines historical evidence and masterful storytelling. Weatherford, the only western scholar to be allowed into the Mongols, and into the forbidden burial site brings readers on his journey to tracking the once uncertain

Narendra Modi Prime Minister Of India - 926 Words

Leadership Once we decide we have to do something, we can go miles ahead. - Narendra Modi (Prime Minister of India) A politician is a person who leads a group of people with common interests and holds or aspires to hold a position in a government. Narendra Modi is considered of a stern administrator and protective strict discipline. He has keen interest in science and technology. He is realistic as well as idealistic. He is full of optimism. He is best known for rising from humble beginnings to become prime minister of India. He will be always remembered as a successful politician. Narendra Damodardas Modi was born on 17 September 1950,Vadnagar, Gujarat, India. He became the 15th Prime Minister of India in May 2014. He is an efficient†¦show more content†¦Learning from a meticulous planner that Mr. Modi is, you should care to have a love for detailing. For reaching out to the Indian population, Modi travelled more than 3.5 laks kms and did 400 rallies, even to places where no one usual ly goes. This micro detailing helps a lot in efficient planning, leading to better results. The man is tech-savvy and likes to keep himself up to date with all the developments in the field. He tweets and posts important details of his life and journey within minutes of it happening. Even as I write this paper, I can see that his Facebook cover picture has already been updated. Modi is a big yoga enthusiast and never forgets to do it, no matter how busy he is. Perhaps, this is the reason why he is this active at this age. This is also something that we can and should learn from him. But no matter how much we try to bring out the negativities in him, we cannot miss the charisma he radiates. He is the finest manager of Indian media amongst all leaders. He has excellent organizational capabilities, dynamic personality and can motivate even a corpse to move with his powerful words, to name a few of his qualities. On May 26, 2014, India’s prime minister Narendra Modi began his te rm in office amid great expectations. Corporates, economists, and investors were betting on big bang reforms, which would kick-start growth. The jury is still out on the economic achievements of his first year in power, the Modi

Baz Luhrmanns adaptation of the classic Romeo and Juliet Essay Example For Students

Baz Luhrmanns adaptation of the classic Romeo and Juliet Essay Baz Luhrmanns adaptation of the classic Romeo and Juliet is set in 2 vastly differing times; the language of Shakespearian era in contrast to a much more modern set and city. The use of Shakespearean language gives a sense of timelessness; that the time it takes place is irrelevant; it can happen any time, any where, to any people, and this is what matters. It addresses a young adult audience, who are familiar with both the situations which arise and the pop-like video style of shooting, with the fairly pacey storyline. At the very beginning of the film, there is a vague sense of mystery given by the fuzzy sounds of the TV tuning in. we are not entirely sure of what we are going to see, and so the tuning in of the TV represents how we are trying to grasp the story, trying to latch on to what is happening around us. We see the black and white screen with the noise of no reception just before the newsreader appears on the screen, and so we anticipate that what we are about to hear will be important, or worth waiting for. We relate it to how we feel when we are waiting for the news to come on, and so the way that the story is presented; as the focus of a news report and the distinct tuning in of the viewer, means we expect the story to affect us. The way in which this introduction is presented sets its status to us. Its obvious sense of importance and slight air of tragedy contributes discretely to the overall atmosphere the audience feels at the beginning of this film. The television set is placed in the middle of the screen, and all around it is plain blank blackness. Since the focus is on the TV in the centre, the viewer doesnt consciously notice the black background. This is deliberate to keep the attention on the screen, which mirrors the importance of this story and this news item. The fact that one barely notices the presence of the background emphasises the dominance this story has on ones thoughts, but all this is in the back of ones mind, so does not consciously add to the atmosphere one feels as a viewer. It only adds on to the overall feel. In the corner of the newsreaders setting, the image chosen is that of a broken ring. This represents to us one of the key elements of the story; symbols of unity, split. The ring is a wedding ring, we later find out, and so we transfer this image not to a broken marriage, but to one that was split. We know the story of Romeo and Juliet to be one of truly strong love, and so the image of the ring doesnt represent divorce. It represents a marriage broken against its will, and so the already subconscious feeling of tragedy to be expected is reinforced by this image. During this shot, the camera slowly and gradually zooms in on the TV set, and so the TV set gradually fills up more and more of the space in the screen, pushing the black back ground out. It is to convey the idea of slowly getting drawn into the story, how the viewers focus eventually rotates entirely around this news item. It mirrors how we can sometimes feel that when someone is talking to us they seem far away, how their words seem distant. It makes the viewer feel like this story relates to them, how distant sounds become common ground. The overall feeling this aspect of the shot gives of is that of involvement. It makes the audience anticipate once more that this story will affect them as an individual. As the beginning sequence takes off into a rapid Rolla coaster of images, the music and atmosphere take on an entirely different tone. It goes from one of casual, and maybe more intense interest, to one of extreme excitement and tension. This is due partly to the speed of the shots and their content, but mostly because of the music and the ideas and images it puts across. The music portrays the idea of overwhelming emotion above all. It is extremely dramatic in its use of emotion, and the power and energy you feel from it. The high pitch of both the piano chords and vocal harmonies give an idea of excitement and speed, and the classical element to it, the traditional instruments and ensemble, give the idea of depth, meaning and sophistication. The high tempo of the piece as it climaxes towards the end increases with the pitch, representing how the power and the emotion and the intensity all build up together. It creates a very powerful, impacting atmosphere of emotion à ¢Ã¢â€š ¬Ã¢â‚¬Å" be that of love, loss, finality, deep influence, realisation, accomplishment, indomitable spirit, excitement, violence, downfall, dependency or redemption. There are countless feelings the music could bring out in you, and so the medium of music is perfect for this effect because it is so widely interpretable, you can have all of these feelings at once, and so you are overwhelmed by emotion à ¢Ã¢â€š ¬Ã¢â‚¬Å" emotion you felt from this film, and so you anticipate that you could feel overwhelmed again in this film, or that characters will be. When the piece does climax, it then abruptly subsides, and the film titles and quiet remain. The lead up to the names Romeo and Juliet give you a sense of the strength of their presence. Its as if there is this huge mountain of things going on, all the things we have just seen and heard in the rush of the previous sequence, simply come down to these four words: Shakespeares Romeo and Juliet. It is mostly dark, night shots, and so the air of mystery resumes, and we get the idea of shadowy goings on. It is natural to associate dark feelings with dark nights, and so sad atmospheres with darkness. The feeling is given that maybe it wont be a happy film. The audience are quite unsure of what to expect, as darkness can also be associated with excitement, and after dark activity. So again, moods are split, and the audience is intrigued and very curious about what is to come. The other lighting effects that stand out to the audience are the bright flashing lights. The two main sources of bright flashing lights are the lights of emergency service vehicles, and the bright lights of Vegas. These are two very similar yet contrasting ideas à ¢Ã¢â€š ¬Ã¢â‚¬Å" that of danger of safety, and the thrill and excitement of the danger seen in casino life. We see brief characterisations of main composites in the film, mainly the relations of our two main characters à ¢Ã¢â€š ¬Ã¢â‚¬Å" Romeo and Juliet. These freeze-frames are usually taken from later periods of the film, when a lot has happened. The characters often look menacing or anxious. We see a brief window into what is to come, and we see the faces of highly-strung, grieving and on edge characters, all of who appear to be close to either Romeo or Juliet. When we see these traits in the people of the story, we combine these new characteristics to the atmosphere created previously, and later it is added to the atmosphere yet to come, and our atmosphere of danger and excitement becomes one of ominous emotion. This foreboding feeling is the product of the things that have just flashed before our senses; the power, the emotion, the excitement, the danger and the worry. The screen with the titles wipes onto the Montague boys speeding down a highway, wearing loud Hawaiian shirts and brave hairstyles. They are jumping about, very over-excited, playing loud music and yelling a lot. The music is very upbeat and rap-like, and associated with carefree youths. The impression is immediately given that these boys are fun loving, arrogant, self assured, confident and aggressive. It is a bright sunny day, and they are in an open top car. It, again, gives that sense of carefree fun, contentment and a completely worry-free atmosphere. The bright colours and the casual dress sense implies all of these things, that they are not afraid to show their true colours, and one has the word Montague written on the back of his bald head, which immediately shows his pride and family loyalty. They offer more relaxed and easygoing prospects than that of the music and images in the previous sequence; however it is possible that their pride and aggression may get the better of them. As the Montague boys party in the car, the camera tracks it from behind. Indeed, most of these shots are close ups, or at least within a few metres of the characters. The viewer feels closer to the action. It makes the audience feel as if they are in the car also, and so the excitement seems more real to them. The man in the back seat turns around and speaks to the camera with a tone of excitement, and so it feels as if you are in the car and he is talking to you. You share in his excitement and enthusiasm à ¢Ã¢â€š ¬Ã¢â‚¬Å" you share his emotions as if you were a friend in the car with them. This feeling contrasts slightly that of what we have seen before, as it seems so much more social and fun. The audience feels more relaxed and comfortable. The main images used to characterise certain aspects of these characters are the shot of the front of the car, the back of one mans head, Benvolios necklace and the black eye. Romeo and Juliet EssayThere is a crescendo, at which point Romeo is looking with desperation at Juliet, and with the music steadily increasing in volume, the feeling of overwhelming emotion resumes. At the beginning of the film, powerful and dramatic music was used to create this same atmosphere, but this time around it is slower, and sadder, and represents more about forlorn hope and great sadness than an overall tragedy. While Romeo is walking down the isle, we see some shots from his point of view as he approaches Juliet. This goes along side the music, in that Luhrman is trying to get us into Romeos shoes, so that we can see what he is seeing and feel what he is feeling. It makes the feelings seem more real, and makes the audience more involved and caught up. It greatens the sadness also, because the feeling of empathy is literally right there in front of you. Once Romeo has joined Juliet, from that moment on, the shots are all very close up. It gives a huge sense of intimacy with the characters, which, in the long run, means their deaths are more of a tragedy. We see many small movements in Juliet, such as her fingers or eyelids twitching, and they are quite clear in comparison to the predominant stillness around her. It makes the viewer feel very involved, that we have seen she is alive and Romeo hasnt, that after all this time of being in Romeos shoes, now is the time he needs us to be in his shoes to show him she is alive. A great sense of tension, helplessness and frustration is felt by the audience, who feel as if they are involved in what is going on, because of the intimacy entailed by the shots, but arent there, so cant help the situation. We also see a close up view of the bottle of poison in Romeos hand as he lifts it towards his mouth. Since we see it from Juliets point of view, we see what she sees and feel the same as her, but we know all that has happened, and so the frustration is felt again, but this time from the other way round, feeling as if we want to help her. We also see Romeo die from Juliets point of view; so again, we share her feelings and their intimacy. Since we felt as if we shared something with them; the intimacy, we also feel the loss when he dies. These scenes are very slow; to provoke thought maybe. It takes time to comprehend some things. This is reflected in the music, as its tempo is consistently slow and sorrowful, the lighting, as it is dark around and intimate in amongst the candles, and the characters seem very thoughtful. After Romeo dies, we see his gun, slowed down and blurry, from Juliets point of view. The blurriness could represent both the tears in her eyes and the confusion she is feeling about what she may do. It is always intended for the audience to feel empathy, so when so much is shared with the character to the point at which the tears are shown from that same perspective, it is hard to see where the audience ends and the character begins. A viewer can get very emotionally caught up in this scene. Her indecisiveness is common with the image in that it is out of focus. It represents her mind at the same time. Once it comes into focus, it is clear she has decided. The scene after Romeo dies is mostly silent, and so when the echoes of the noises made by Juliet are heard, it is very sudden and shocking, and both Juliet and the audience are startled. For instance, When Juliet clicks the gun, she jumps from the shock of the sound, and this is echoed. The click of the gun makes her jump because of the realisation of what she is about to do, that it is actually real. The tension is slightly relieved because it has been certified that she will shoot herself, but the realness of it shocks both Juliet and the audience. After the gunshot, the camera goes from the close up intimacy with the characters to a long shot overlooking the scene. It acts as a reminder that it is just a story, that before you could have been drawn in, but the reality is you are the onlooker, and so only empathy can be felt at this point because of the detachment entailed. After a few seconds overlooking the final resting place of Romeo and Juliet, some moments of Romeo and Juliet are re-shown. It highlights the sense of loss and nostalgia; that it picks at the fresh wounds of all that was and all that could have been, showing the happiest moments they shared together. The music mirrors this, being slow and sorrowful, creating the atmosphere of great sadness that all involved must be feeling. At the end, it freezes on a shot of Romeo and Juliet kissing underwater. It is the last effort to hold on to what has been lost. And so the feeling loss is greatened and can overwhelm the most emotional of viewers. The film becomes memorable for the sadness felt. A moments pause for reflection is given between the two scenes, to take in all that has happened; to think how it could have been. It draws out the feelings previously felt, and so the feelings are remembered and the memory sticks. During the gathering of people, including the Montagues, Capulets, police and ambulance men, the camera stays mostly on the chief of police. The importance of what he says is clear, and the focus is certainly solely on him and his words. The people are gathered around him, and all is quiet except for him speaking. When he says, all are punishÃÆ' ¨d, all are punishÃÆ' ¨d! he is summarising what all the surrounding characters and possibly the audience too are thinking. The fact that he repeats simply puts emphasis on it, and it is also the final thing he says. It is the message he wants you to take away with you. The screen changes, and slow zooming backwards reveals that what we have just watched was on the TV report seen at the very beginning of the film. It renews the sense of detachment, that we are just onlookers to this tragedy. The fact that it zooms out is a direct reference to the opening of the film and the story, where there is slow zooming in. t the beginning, it is used to convey the idea of slowly getting drawn into the story, tuning in and trying to understand. At the end it is like closing off the story, rounding it all up, just taking time to think about what happened. As if youve been drawn into this story, you experienced it, and now its time to go back to your own life. The last thing the newsreader says is: And go forth to talk more of these sad things, for never was there a story of more woe, than this of Juliet and her Romeo. It leaves you with a feeling of sadness. Seeing it in a news reel emphasises your detachment from it, whereas before the audience was led to be very caught up in the story. At the very beginning of the film, there is a vague sense of mystery given by the fuzzy sounds of the TV tuning in. however, at the end, it represents not mystery but closure. At the beginning of the film, there is a similar set out to the one seen at the end: The television set is placed in the middle of the screen, and all around it is plain blank blackness, and since the focus is on the TV in the centre, the viewer doesnt consciously notice the black background. In the opening scene, the story gradually unfolds and initiates. And so the end is the opposite; the story is coming to a close and the viewer is gradually disconnected from the scenes which have held the attention and emotion of the audience. In conclusion, it would seem that Luhrman has used many aspects of media to provoke the emotions of his target audience. Young people are very interested in music, so the carefully chosen tracks he has used, particularly at the beginning and end, relate to young viewers very well. He has chosen the cast and characterised them so that they, too, are easy to relate to, and so has really reached the audience. He has also used lighting and images to his advantage, making the atmosphere memorable, and accelerating the feelings brought up in the scenes. He has used the shots to show the audience different ways of looking at what is going on, and also giving participation and status. Overall, using different combinations of the same types of lighting, colour, images, characterisation and shots, he has created equally powerful beginning and ending to a film very effectively with the way he has done it.

Research on Degenerative Disc Disease Essay Sample free essay sample

Degenerative phonograph record disease or DDD. is in fact the devolution of the Intervertebral phonograph record. which refers to the fibrocartilage that lies between next Vertebrae* in the spinal column and bunchs of chondrocytes** . both being implicative to mend. The chief Cause of the development of Degenerative phonograph record disease is aging: As the organic structure ages. the phonograph record in the spinal column dehydrate or dry out. and lose their ability to move as daze absorbers between the vertebral organic structures. The castanetss and ligaments that make up the spinal column besides become less flexible and thicken. These conditions become more of an issue due to the minimum blood supply to the phonograph record. unlike the musculuss ; so they lack reparative powers. In this procedure. fibro-cartilage replaces the gelatinlike mucoid stuff of the nucleus pulposus. Nucleus pulposus is the jelly-like substance in the center of the spinal phonograph record. Its map is to administer force per unit area in all waies within each phonograph record under compressive tonss. We will write a custom essay sample on Research on Degenerative Disc Disease Essay Sample or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page While this devolution is a normal procedure of aging – It is instead a ‘Condition’ than a ‘disease’ – and for some people does non make any physical issues ; for others can be accompanied by redness. be really painful and therefore impacting their life quality dramatically. This difference is chiefly because some people have nerve terminations that penetrate more profoundly into the outer beds of their phonograph record. bring forthing an country more prone to redness and hurting. Other factors that can lend to the development of redness and hurting. as a consequence of this status. are the life manners and the different works that people do. Presumably. people who undertake heavy physical activities and set more force per unit area on their dorsum. are prone to develop this status in the earlier phases of their lives. and experience hurting as the consequence. Degenerative disc disease can besides take to other upsets such as: †¢ Narrowing of the canal that houses the spinal cord and nervus roots ; known as: ‘Lumbar spinal stenosis’ †¢ Disc stealing frontward ; known as: ‘Spondylolisthesis’ †¢ Disc stealing backwards ; known as: ‘Retrospondylolisthesis’ . Harmonizing to the findings of American Asso ciation of Neurological Surgeons ( AANS ) more than 65 million Americans suffer from lower dorsum hurting yearly. By the age of 50. 85 per centum of this population will demo grounds of disc devolution ; although the huge bulk of them show no symptoms related to the status. ( 2 ) Treatment OptionsThe first measure in the intervention of any chronic or relentless hurting is to have a thorough medical rating to find the cause of the hurting. Any techniques necessary for intervention of the status ; will so be based on the diagnosing and the advice of medical professionals. Degenerative disc disease can frequently be successfully treated with one or a combination of interventions such as Physical Therapy. Chiropractic therapy. Osteopathic or Chiropractic use. or so with the usage of anti-Inflammatory drugs. Spinal injections could besides supply alleviation from the hurting produced. However. if hurting from degenerative phonograph record disease is terrible. traditional non-operative intervention is frequently uneffective. In such instances. a suited surgical operation from a list of surgical interventions available for this status will be used. The marks that indicate the possible demand for surgery include: Weakness or numbness in legs. leg or back pain restricting normal activity. trouble walking or standing. and medicine and physical therapy are uneffective within two to three months of being in usage. Use of Hypnosis Today. the of import function the head plays in chronic hurting is clearly recognized in the medical literature. The International Association for the Study of Pain provinces that: â€Å"pain is ever subjective. and is defined by the individual who experiences it. † It is besides known that hurting is non merely a esthesis. like vision or touch. but instead chronic hurting is strongly influenced by â€Å"the ways in which the encephalon processes the hurting signals. † This of class. refers to the complex physical procedure initiated when the cause of hurting is triggered – in this instance. for illustration when a force per unit area is applied to the phonograph record – the generated signals. taking to the cortical rousing and the associated hormonal and nervous procedures. which is so interpreted as ‘pain’ . Therefore. our encephalon can ‘learn’ to pull off the esthesis of hurting. Using the head. to command chronic hurting thr ough effectual header schemes. may be used entirely or in concurrence with other hurting direction therapies. Hypnosis is used to cut down the hurting perceptual experience in two general ways: Post-hypnotic suggestions ; that cut down hurting when it is felt. and Self-hypnosis. Many characteristics of Hypnosis are employed in the effectual direction of hurting by Hypnotherapy. For illustration. ‘Relaxation of the whole body’ . leads to the easiness of the musculuss and therefore the easiness of the nervousnesss that signal hurting. doing the decrease or sometimes extinction of the signals at the centripetal degree. Relaxation besides helps by cut downing the feelings of fright and anxiousness ; that are common feelings associated with hurting. ‘Visualisation’ is the most used and a really effectual characteristic of hypnosis in hurting direction. For illustration ‘Visual imagination and distraction’ involved in concentrating on mental images of pleasant scenes – portion of the relaxation procedure – and besides making governable images that represent hurting. ‘Dissociation’ is besides normally used in hurting direction Inductions. this could be in the signifier of proposing the topics to ‘mentally divide themselves from the painful organic structure part’ . or ‘imagining the organic structure and head being separate from each other. and therefore the chronic hurting being besides in the distance from the mind’ or similar suggestions. Hypnosis besides facilitates the direct control of hurting through the usage of different techniques. such as: introducing adjustable ‘pain dial’ or ‘pain switch’ that can command the grade and continuance of hurting. proposing the production of ‘Endorphin’ . and bathing the hurting portion of the organic structure in the produced substance. or the usage of other imaginations such as ‘Glove Anaesthesia’ . The grade to which one can digest a specific hurting. depends on two chief features: the site of the hurting. and it s subjective dimensions – i. e. its strength and continuance. The closer the country of hurting gets to the bole of organic structure – organic structure Centre – and the longer and more intense ; the less tolerable it becomes. In the instance with degenerative phonograph record disease. as the location of hurting is within the bole of the organic structure. and therefore it is more profoundly felt ; concentrating merely on relaxation to cut down or extinguish hurting. may non be plenty. In such instances. after the initial relaxation and the deepener processs. the debut of a more specific technique for hurting control. such as â€Å"Glove Anaesthesia† or other hurting commanding techniques largely involved with the usage of ‘imageries’ are used. These techniques are introduced during the Hypnotherapy with the usage of suggestions such as: â€Å" . . Acknowledge and accept hurting. loosen up the musculuss around the painful portion. and imagine rinsing off the uncomfortableness by a streamlined H2O that is running over and through the painful country. and rinsing trouble off from the organic structure. . † Or: â€Å"Imagine come ining into the tunnel of hurting. this tunnel is yo urs. you can have and command it†¦ See the visible radiation at the terminal of the tunnel. that visible radiation is your mark. . it is where you can make and win over your pain†¦ now. get down taking stairss towards that light†¦ every measure you take. will distance you more and more. . from the hurting. and takes you closer and closer. . to being more in control. and accomplishing freedom from the pain†¦Ã¢â‚¬  The pick of utilizing any of such techniques. being made by the Hypnotherapists. will be based on the specific demands of the patient with relevancy to the quality of hurting. and the patient’s personality and features. The flexibleness that hypnosis provides in the intervention of any painful status. is due to the fact that there are no difficult lines between the available hurting alleviation techniques that could be used for each type of hurting. chiefly being: hurting developed from Chronic conditions. hurting from Surgery. or hurt and unwellnesss. Any technique chiefly developed for a specific class ; could besides be used within the different classs ; should the patients’ specific needs trigger such determination being made. Glove Anaesthesia Glove anesthesia is an illustration of the legion hurting alleviation techniques normally used in Hypnosis. and although its chief usage is in surgeries ; due to the grounds stated above. it can besides be used for other painful conditions including the Degenerative Disc Disease. Prior to the intervention. the patient is asked about his pick of hurting alleviation ; i. e. what experiencing – heat. coldness or anything else – could bring forth the esthesis of hurting decrease or riddance for that person. Once this has been established. and while the patient is relaxed and in the deepened province of hypnosis. suggestion of numbness production in one of his custodies is being made – the 1 that can easy near the painful country – This could be either by conceive ofing that manus is being immersed in the hot or cold H2O. a bowl of ice or any substance that can bring forth the hurting alleviation esthesis. Alternatively. this could be replaced by utilizing â₠¬ËœMental anaesthesia’ conceive ofing an injection of blunting anesthetic into the painful country. or even through pure ‘Imagination’ of the addition or decrease of temperature in the chosen manus. Once the esthesis of numbness in that manus has been produced. the topic will be suggested to put the same manus on the painful country. and maintain it at that place until this esthesis is transferred into the mark country. taking to its numbness. and therefore the decrease or riddance of hurting. Because the devolution of phonograph record is a normal aging procedure – as it was discussed supra. it should be regarded as a status instead than a disease – it is usually safe for the hurting produced as a consequence of this status to be wholly outside the range of the patient’s consciousness. and except from some rare instances. where the relevant organic structure parts are being abnormally overloaded or abused. the absence of the feeling of hurting will by and large non take to an addition in the pathological facet of this status. Therefore. with the really good topics. there is no demand to maintain a portion or an country of hurting nowadays. However. in order to avoid a ‘no hurting / hurting present’ state of affairs resulted from the struggle between the cardinal consciousness and the consciousness of the topic. and besides sing that hurting perceptual experience should ever hold a ‘specified time’ for being turned off ; the u sage of ‘temporary block of pain’ would be more good and safe. ( 6 ) Hence proposing to the topic that for illustration: â€Å"For the following three hours. you will non experience any hurting. After that. the hurting will ‘gradually’ return – The importance of Control: The importance of ‘Control’ in hurting perceptual experience is a well-known phenomenon. Common features act uponing hurting susceptibleness are: – Low motive. taking to passiveness and hence decrease or absence of control over clip and energy. – Low self-image. which creates the feeling of exposure and deficiency of control. and – Dependency. such as dependence on others to make day-to-day activities. and the ensuing feeling of holding no control over one’s life. Hypnosis helps patients to experience. understand and behave in certain ways. This. amongst other benefits. will assist patients with the creative activity or addition of control over their state of affairss. and in understanding and positively altering what pain really signifies to them. Throughout the different phases of Hypnotherapy: from the initial audience. where the waking hypnosis and seeding could be developed. through to the existent Induction. where the station hypnotic su ggestions of one or more suited techniques are being made ; and besides through the debut and instruction of Self-Hypnosis ; this procedure of ‘increasing patients’ motive and control’ takes signifier. and therefore the patients go equipped with one of the most of import tools in hurting direction.

Amyotrophic Lateral Sclerosis essays

Amyotrophic Lateral Sclerosis essays Imagine sharp pains shooting through your legs and arms, problems in all of your muscles and knowing that you are going to die soon, at a considerably young age. These symptoms are only a few of the many signs that a person might be suffering from Amyotrophic Lateral Sclerosis. These are the same symptoms that my Uncle went through when he suffered from ALS. He died two and a half years after he was diagnosed, at the age of forty-six, which goes to show that it doesn't take long for the disease to progress, and there is obviously no cure. Also known as ALS or Lou Gehrig's disease, this fatal condition regularly kills innocent people. Some think that ALS is a rare disease and that it will never affect them, but they think wrong. More people need to be aware of ALS, especially the statistics, effects and treatment/prognosis of this morbid disease. The facts and statistics of Amyotrophic Lateral Sclerosis (ALS) show that the disease is rare, yet bitter. To begin with, the term ALS was coined for a specific reason. "Amyotrophic" means poor muscle nourishment. "Lateral" refers to the edges of the spinal cord. "Sclerosis" means hardening and scarring. Therefore, Amyotrophic Lateral Sclerosis is a disease that attacks the muscles and spinal cord, which slowly and painfully kills its victim. The cause of ALS is unknown, however, in a study done by Harvard University School of Public Health, scientists concluded that male war veterans from World War I through Vietnam are sixty percent more likely to develop ALS than non-veterans (Ruben 1). There are many theories as to what causes ALS, but this study is the only one that shows what might cause the disease. ALS affects people both sexes between 40 and 70 years old (What is ALS/MND? 1). ALS is more common in men than woman, a ratio of two to one (1). To add to that, one must consider life span and rarity statistics. In the ...

Examples of Supply in Economics

Examples of Supply in Economics Supply is defined as the total amount of a given product or service that is available for purchase at a set price. This core component of economics may seem vague, but you can find examples of supply in everyday life. Definition The law of supply states  that  assuming all else is held constant, the quantity supplied for a good rise as the price rises. In other words, the quantity demanded and the  price  is positively related. The relationship between supply and demand can be illustrated like this: Supply Demand Price Constant Rises Rises Constant Falls Falls Increases Constant Falls Decreases Constant Increases Economists   say supply is determined by several factors, including: Price Buyers want to pay as little as possible for a good or service, while producers want to maximize profit by charging as much as possible. When supply and demand are balanced, price tends to be stable Cost The less it costs to manufacture a good, the greater a producers profit margin when that good is marketed at a specific price point. As the cost of production decreases, the more product a manufacturer can produce. Competition Manufacturers may be compelled to lower the price of their goods in order to match the price of similar products offered by a competitor, thus lowering profits. Likewise, producers will seek the lowest price on raw materials, which can, in turn, affect suppliers. Supply and demand do fluctuate over time, and both producers and consumers can take advantage of this. For example, consider season  demand on clothing. In the summertime, the demand for swimsuits is very high. Producers, anticipating this, will ramp up production in the winter in order to meet demand as it increases from spring into summer. But if consumer demand is too high, the price on swimwear will rise because it will be in short supply. Likewise, in the fall retailers will begin clearing out excess inventory of swimsuits to make room for cold-weather clothing. Consumers will find prices reduced and save money, but their choices will be limited. Elements of Supply There are additional factors that economists say can affect supply and inventory. Specific quantity is the amount of a product that a retailer wants to sell at a given price is known as the quantity supplied. Typically a time period is also given when  describing quantity  supplied For example: When the price of an orange is 65 cents the quantity supplied is 300 oranges a week.If the price of copper falls from $1.75/lb to $1.65/lb, the quantity supplied by a mining company will fall from 45 tons a day to 42 tons a day. A supply schedule is a table which lists the possible prices for a good and service and the associated quantity supplied. The supply schedule for oranges could look (in part) as follows: 75 cents - 470 oranges a week70 cents - 400 oranges a week65 cents - 320 oranges a week60 cents - 200 oranges a week A supply curve is simply a supply schedule presented in graphical form. The standard presentation of a supply curve has price given on the Y-axis and quantity supplied on the X-axis. Price elasticity of supply represents how sensitive quantity supplied is to changes in price. Sources Investopedia staff. Law of Supply. Investopedia.com.McIntyre, Shawn. Economics for Beginners. Owlcation.com, 30 June 2016.

Fog in Tucson Essay Example | Topics and Well Written Essays - 250 words

Fog in Tucson - Essay Example Radiation fog can be formed easily in Tucson by adding moisture to the air. During the night, the ground will cool down emitting heat to the air above making it dry. The thin layer of air above the ground remains moist, as the temperature on the ground is cold. Thus, in between the cool and the warm air, radiation fog is formed. The radiation fog formed around valleys is referred to as the valley fog. When forming the valley fog, the condensed cool air would move down into the valley and accumulate. After several layers pile up, fog is formed. The sun cannot heat up the moisture because fog reflects sunlight. Steam fog usually forms in the morning after a cold night. There should a surface of a small pool of water to provide moisture. After evaporation begins, moisture would rise from the surface forming a fog. The physical difference between the radiation and steam form is that latter rises from the ground while the former appears to cover a region while moving

Literary analysis of Moby Dick Essay Example | Topics and Well Written Essays - 750 words

Literary analysis of Moby Dick - Essay Example The rise of Ishmael at the novel's close points to an alternative world, one controlled more by the forces of nature than by humans, one in which the civilized is not fundamentally different from the savage and the animal, one guided not by a linear plan but, to use Darwin's famous phrase, by an "inextricable web of affinities" (Buchholz 50). Indeed, Moby-Dick itself exhibits the principle of natural selection, for it suggests that species like Ahab are not adapted for survival and therefore face extinction while variations like Ishmael are well suited to thrive and flourish. This essay treats Moby-Dick as an allegory signifying the rise of Darwin and the consequent dethroning of man, the victory of evolution over essentialism. The novel constitutes a prophetic parable of what Freud called the second great blow to man's sense of domination (after the astronomy of Copernicus and before Freud's own psychoanalysis): the emergence of the evolutionary theory that "put an end to this presumption on the part of man" by showing that "man is not a being different from the animals or superior to them; he is himself of animal descent, being more closely related to some species and more distantly to others" (cited in Ancona 17). Certainly Ahab instances a tension between both versions of the pre-Darwinian chain: the spatial and the temporal. On the one hand, he yearns for a static scale of nature, in which hierarchically grouped animals and men are utterly fated to be what they are, moving with the regularity of machines. On the other, he wishes for himself to progr ess, to evolve, to the very top of the chain, from which place he will hold the other species below him. From either position, he maintains, violently, the shared assumptions of both pre-Darwinian chains of being: anthropocentrism, hierarchy, design (Ancona 16). Ahab's ship is a pre-Darwinian world in miniature; it is ordered by a chain of being, seemingly static and spatial. Ahab maintains firm control of his ship's hierarchy, reaching from the bottom, the lowly crew, to the savage harpooners, to the third, second, and first mates, to Ahab himself at the top. In the "Knights and Squires" chapters, Melville details a hierarchy of men ordered by degrees of consciousness, the ability for reflection (Ancona 15). Closest to the hyper-reflective Ahab is the first mate Starbuck, pious, speculative, prudent; next is Stubb, the second mate, utterly carefree, with no interest in abstract thought; under him is Flask, the third mate, ignorant, virtually unconscious, utterly indifferent to the mysteries of whaling. Beneath these mates are the harpooners, likewise divided into hierarchy (Buchholz 51). Ahab is well aware of this hierarchy and sees his job as keeping it in place. Indeed, his first words in the novel work to reinforce the hierarchy he heads. After Stubb has hinted to Ahab that he would like him to tread more softly around the deck while others are trying to sleep, Ahab responds by forcefully reminding Stubb of his place: "Down, dog, and kennel" (127). The Captain knows that he is "above the common," having been in colleges and among cannibals (79), that his command ranges from the institutions of civilization to the habitats of the uncivilized. At the same time, he intimates a more temporal chain of

Restaurant and Bar Essay Example for Free

Restaurant and Bar Essay Work Plan Statement of Problem We are pitching an idea for an all you can eat all-inclusive Asian style cuisine. The restaurant will be located in Bellevue, Washington near Bellevue Square and within walking distance of the Microsoft and Expedia towers. The restaurant will offer a variety of Asian cuisines such as sushi, dim sum, teriyaki, and other popular foods sought by young adults and small families. We are asking for $750,000 from venture capitalists to finance our project. Schedule/Division of the work -May| Bao Tu| Find detailed information for project and needs in Bellevue| 2-May| Peter Calimlim| Composition: List benefits and features of products and services related to business| 4-May| Timofey Khval| Research costs, other financial information completed| | Linh Ninh| Organization: Pick the important and related things to investors needs| | My Tran| Research, develop market strategy| 10-May| Bao Tu| Set the target market and find their tastes. Find competitors and research them| | Linh Ninh| Develop ideas for opening| Peter Calimlim| Execution/Evaluation: Revise presentation for 3-4 minute speech. Practice Individually| 16-May| Group| Group meeting to share research and other ideas| 18-May| My Tran| Develop ideas for closing| | Timofey Khval| Compile information into tables, financial statements, graphs| 23-May| Bao Tu| Finish research and preparation for presentation| 25-May| Timofey Khval| Analysis of information completed| | My Tran| Completion of rough draft for opening and offering| | Linh Ninh| Compete rough draft of marketing strategy, closing ideas| 27-May| Group| Finish research and individual portions. Meeting to develop presentation| 1-Jun| Group| Meeting to rehearse presentation, make final revisions| 4-Jun| Group| Meetings to continue rehearsal, work on visual aids (if necessary)| 6-Jun| Group| Presentation date| 1-May| Bao Tu| Find detailed information for project and needs in Bellevue| 2-May| Peter Calimlim| Composition: List benefits and features of products and services related to business| 4-May| Timofey Khval| Research costs, other financial information completed| | Linh Ninh| Organization: Pick the important and related things to investors needs| | My Tran| Research, develop market strategy| 0-May| Bao Tu| Set the target market and find their tastes. Find competitors and research them| | Linh Ninh| Develop ideas for opening| | Peter Calimlim| Execution/Evaluation: Revise presentation for 3-4 minute speech. Practice Individually| 16-May| Group| Group meeting to share research and other ideas| 18-May| My Tran| Develop ideas for closing| Timofey Khval| Compile information in to tables, financial statements, graphs| 23-May| Bao Tu| Finish research and preparation for presentation| 25-May| Timofey Khval| Analysis of information completed| | My Tran| Completion of rough draft for opening and offering| | Linh Ninh| Compete rough draft of marketing strategy, closing ideas| 27-May| Group| Finish research and individual portions. Meeting to develop presentation| 1-Jun| Group| Meeting to rehearse presentation, make final revisions| 4-Jun| Group| Meetings to continue rehearsal, work on visual aids (if necessary)| 6-Jun| Group| Presentation date|

Product Life-Cycle Model Essay -- essays research papers

Overview The product can be defined as goods, services or both; in the other words it’s anything that satisfies customer need. Each product has its own limited life, however it shares the same aspect and we define the period that the product goes through as the â€Å"Product life cycle†. The Product life cycle consist of four stages starting from introduction stage, growth stage, maturity stage and decline stage. At the introduction stage, the product is not popular and can’t really make a lot of profit. Its marketing cost may be high in order to test a market and set up a distribution channel. At the growth stage, the product start making a profit, the sales increase rapidly with some cost on marketing especially brand building. Competitors enter the market, often in large number depending on how attractive the market is. When a profit starts to decline, it’s the sign of ‘Maturity stage’. At maturity stage, the sales continue to increase but at the decreasing rate until become stable, because of price competition. The product reaches its peak at this stage, most companies fight aggressively to maintain their market share. The competition is very intense, unfortunately a small firms will die one by one. During the decline stage, the profit start to drop gradually, each firm has to manage carefully. There’re not many choice to choose now; take the most out of it before exit or expand the market by using marketing mix strategies in order to extend product life. Can product life...

College Savings Essay

Why is it important to go to college? I believe the answer is crystal clear. Attending college provides me with an opportunity for a better future. The economy now is not the same as it was in the past. Those who graduate high school are finding it extremely difficult to obtain high-paying jobs. The United States has been reformed into an economy dependent on knowledge. Graduating college provides the graduate with more desirable opportunities and options. It is a proven fact that having a college degree increases your chances of receiving a high-paying job; and isn’t that what we strive to achieve in our lives? The reason I wake up everyday and attend school is to one day have a high-paying job, that will make all the years of education worth it. However, though a college education is immensely important, it carries a heavy price tag. Unfortunately, the cost of tuition goes up every year, preventing many teens from attending college. I myself do not allow that unfortunate fac t to discourage from obtaining a college education. I am aware of the numerous available financial aid options. Though I am only in middle school and still have a couple more years before I can start college. I believe that I should be preparing myself for the future years ahead considering the fact that they are critical in my success. I often find myself searching the web for colleges and imagining myself attending those colleges in the future. But unfortunately, daydreaming is not going to get me anywhere. Once I snap out of it, I began to search for strategies that will benefit me in my quest to attend college. In my opinion, it is critical to form a strategy early on in the game. The sooner the better. The amount of money needed to attend college is great, so saving money early on is the best way to go. I have become aware that scholarships and financial aid do not pay for everything! Though they offer a tremendous amount of help, I will have to pay as well. That is why starting early is crucial. Of course, I will not be able to accomplish my goal without the help of my parents. They are the ones who will guide me and offer the necessary assistance that I desperately need. Making my parents aware of my strategy is the second step and probably the most important. Considering I am still a minor, their help is essential. The chances of receiving a scholarship or financial aid is not guaranteed! I cannot afford to place all my hope in the idea of a scholarship or grant and neither can my parents. We have to think ahead and prepare for the challenges that I will have to face. It is important for my parents and I to find out as much as we can about financial aid and the necessary requirements we have to meet to be able to receive the aid. Though the price of education is being raised, so is the amount of financial aid I can receive. The financial aid package that I will be given to me is determined by the college that I wish to attend. That is why I’m already searching online for colleges that I picture myself attending, and familiarizing myself with their criteria for incoming students. Receiving financial aid or any type of support is ultimately up to me. Scholarships are not given to everybody. I have to earn it. In order to improve my chances of receiving a scholarship, I have tried absolute hardest to obtain excellent grades. Most of my friends believe that middle school holds little importance. I disagree. It’s vital to put your maximum effort in your studies from the get-go. When I apply to colleges, I want them to realize that I’m serious about graduating and having a successful future. I cannot afford to begin to take college seriously in high school, because it may be too late. If I start preparing myself and researching about college early on, I will be ready and prepared when my high school years arrive. Which surprisngly are right around the corner. Forming a saving strategy is essential in my plan to attend college. There are various companies and websites that offer me the help and guidance to form my strategy. For example, the 529 Plan. The 529 plan is a tax-advantaged investment plan built to encouraging f uture college attendees to save for a college education. But these programs are not the only way to go. My school counselor and teachers also offer their expertise on the topic of college. My school’s faculty, for a fact, has my best interest at heart. They are constantly giving me advice on high school and what lies ahead. Now that I am in my eighth grade year, the topic of high school has been popping up more frequently in our discussions. I am still young and do not know all there is to know about college and the best way to start saving for it. So, I rely on the help of my teachers, counselor and of course, my parents. With their advice and support, I will be able to form a strategy that will help me save money for college. It is obvious that I cannot depend on their help alone. It is I who has to take their advice and put it motion. For example, I am allowed to work part-time at the age of 14. I know that it is extremely difficult to balance work and school so, I have decided to begin working during the summer. With of course m y parents consent. Having an income will help me tremendously. College costs a lot of money and considering the fact that my parents don’t have the biggest income, I’m grateful for the fact that I will be able to work and offer my parents a lending hand on my savings for college. Neither of my parents have a college education. I do not judge them because I know the challenges they have encountered, for I have witnessed them myself. My entire family was born in Cuba where a college education was difficult to achieve. When we first arrived in the United States, my parents found it extremely difficult to get job. This caused my family to go through many struggles. Struggles that we are currently experiencing today. Witnessing these struggles have given me the determination to have a successful future. I do not wish for my future children to go through what I have gone through. My parents understand this. Not only do they understand it, they encourage it. They are constantly referring to me as their ‘better future’. It is clear that they want me to succeed. They don’t want me to be constantly worrying about not being able to pay the bills or rent. They want my future to be worry free. They understand how important college is and have already began taking the necessary steps to guarantee that I attend. Having my parents support is essential for I do not think I would be able to do it on my own. Though they are not familiar with steps that need to be taken to get into college, they are trying their best to help me achieve my goal in any way that is necessary. Most people already know why college is important; it opens numerous doors and provides many opportunities and advantages once you have graduated. It has been proven that people with a college education earn nearly twice as much than those who only have a high school diploma in their pocket. You go to school to get good job, to earn money and have a successful f uture. A college education guarantees that. A college education increases my chances of living the life I have always wanted. The life my parents wish for me. In the United States today, having a college education is extremely important. Without it, you will most likely get nowhere. I would know. My parents do not have a college education. I have watched them suffer financially and the thought of me having through go through their struggles terrifies me. I do not want to live in constant stress over late payments or having no money to buy food for my kids. I know how difficult it will be to attend college. I know that I will have to make sacrifices to guarantee my future. But I am willing to make those sacrifices because I only the consequences that I will face if I don’t. Most people will not understand why I have decided to start saving up for college or even thinking about college so early on. But I have my reasons. College is more important to me than people realize. It’s the key to a successful future. My successful future!

Voter Participation in the 1800s

Unknown 4B 14 November 2012 The 1800s were a time of tremendous change that contained many valuable occurrences. While being well adjusted to the new world the building blocks of America were still in the process of being made. Many controversies and commands were made which made elections a bit more complicated. The participation in political campaigns and elections in the United States changed between 1815 and 1840 through economic, political, and social factors that corresponds to historical events that made the differences that created the change.The conflicts that are occurring during the time of voting have a very large affect on the election. They show what the president needs to improve and how they are going to act to do so. In the 1820s it was the start of the idea of the American System, which includes promoting industry though tariffs, building road, canals, etc, and internal improvements to market agriculture. The democrats at the time opposed the system and the republic ans were all for it. We are fast becoming a great nation, with great commerce, manufactures, population, wealth, luxuries, and with the vices and miseries that they engender. † (Doc. B). This was the start of the market revolution, where everything changes from underdevelopment to a future run on technology. Immigration was a problem because it was replacing American workers with cheaper foreign workers. They didn’t have any solutions, as it was just beginning, so that would be something the president would have to work on and use in their campaign.Being the highest executive officer of a modern republic, the president is a imperative position full of demand. Andrew Jackson boosted his reputation and helped prop him to the while house through the Battle Of New Orleans. That is a fine example of how historical events can boost your eligibility for votes. Through the Era of Good Feelings, it kept Monroe and the Republican party well known. Jackson was also in office for t he Indian Removal Act and the Trail of Tears which was a horrible time but gained land for the people which increased Jackson’s favor. Also through Jackson, was he creation of the Whig Party, which was a big impact on the election of 1836 because it was the 2nd party compared to democratic. Van Buren was President for part of the ending of slavery which was a huge progressive state for America. These events explained what the main goals were for the presidential candidates and were the ways to gain votes. In 1828, the Democratic Party ballot only had Representatives to vote on while there weren’t very many competitors. (Doc. D). Social issues kept the public talking, were a major part of campaigning, and displayed who to vote for.In the 1824 election between Adams and Jackson, Adams was blamed for Corrupt bargain which affected his presidency through the thought of scandal. Another point that brought scandal upon election was the spoils system which gave jobs for voter s for a certain party. â€Å"We have trusted to the influence of the justice and good sense of our political leaders, to prevent the continuance of.. Abuses, which destroy the natural bands of equality so essential to the attainment of moral happiness, but they have been deaf to the choice of justice.. † (Doc. E).Voting also increased over the years through change of requirement to vote, after this time period, women could vote along with slaves. (Doc. A. ) Campaigns won over Americas heart and started in the 1840s with Martin Van Buren and William Henry Harrison. Harrison was thought of as an alcoholic by his competitor so Buren said that he would sit in a log cabin and drink hard cider. (Doc. I. ) Everyone had a different opinion so newspapers weren’t an official source for awhile. The more different types of newspapers the more different will the stories get stretched with candidates. Doc. G). It was all for means of convincing voters and sharing the ideas of the pr esidential candidates. Over time, the number of voters increased while the regulations decreased. Through economic, political, and social factors that fact can be explained through historical events and change. Presidents manifest themselves to prove that they can be the best leaders that they can be with hard work and tough campaigning. While split up through different parties and ideas, presidency has definitely changed throughout the decades.

How To Write Cold Emails The Right Way

How To Write Cold Emails The Right Way Cold email marketing became popular in the past few years, the idea being that it was an extension of genuine interest and engagement. You’d let people know you mentioned them in a blog post, or referenced them in some other content, like in an ebook. Or you’d share something you wrote that they might be interested in for their own blog or research. They would most likely share it with their followers. Good times, all around. And it worked. Unfortunately, it has morphed into something else, much like guest blogging was co-opted by spammers and sullied. I wish I could share the tweet with you that set my mind to writing this post, but unfortunately, it has been pulled down. Essentially, with typical Twitter bluntness, the writer of the tweet said this: Online email marketing today is an email from some guy saying, â€Å"I mentioned you in this thing I wrote. Share it with all your people.† I suspect he pulled the tweet down because the language was a bit more colorful than this, no doubt stemming from the sense of frustration as his already burgeoning inbox was bombarded by this careless kind of marketing that is really little more than spam. I’m going to approach this post a bit differently, positing some theories about cold email marketing at the start. If everyone ends up doing it, the effectiveness is lost. Even if it’s a miracle cure, too many people are poorly trained in administering it. Even in perfect form, the sheer amount of emails can overwhelm. You must have patience. People don’t all move at the speed of marketing. The recipient must truly benefit and get value from your request. Cold email  marketing can be done well, just like guest posting still has a place, but too often, in the wrong hands or from marketers who are too busy and have an eye on numbers instead of the hearts of the people. It is something ugly. A Tale Of Frustration True-story time, so that you can learn from my pain. I generally receive a fair amount of emails each day from people who want me to look at their blog post or ebook. They tell me quickly that they’ve mentioned me or something I’ve written in their content, and would I please... Check it out. (Pretty vague, and it doesn’t tell me how I’m going to benefit, only that I’m going to have to give up time to do it.) Review it and see if I agree. (Feels like being baited, but I might bite depending on how they worded the email.) Comment on it. (Again, time consuming and how do I benefit by giving you social proof?) Give them pointers on how to make it better. (I find this confusing; I don’t have time to spot-edit other content. I think this is supposed to be flattery, but I would advise wording this kind of request carefully.) And, most importantly, would I share it with my followers lots and lots of times. Some I respond to, and some I don’t. Because I’m an introvert  and also fairly regimented in what I allow myself to do each day, that would interfere with work and personal time, so I don’t always respond right away. Many of these cold emails are hastily written and don’t offer any genuine reward. So if I don’t respond, I archive it away. Sometimes I’d get a follow-up email, wondering if I’d gotten the previous email, and repeating the original request. Some folks follow up the follow-up many times over, and that’s harassing. One day, I received a typical cold email. It said this: Hey Julie. I love your blog post X. The best part was this: X. Here is a quote I liked: X. We wrote something similar and I’d like you to check it out. I would love your feedback. Sharing it on your blog and social media would be great! :-) I read it, and I thought this: It’s a form email, with blank areas for personalization. They used the quote to prove they read my blog post, but is a large pull quote suggesting they didn’t actually read it. It feels like part of a massive campaign with an attempt at being personal. I don’t know this person. I archived it. Six days later I received this: Hey Julie. Just touching base again. While waiting to hear back from you, I read this wonderful post on your blog about X (same blog post mentioned in the first email). I liked it so much I shared it with my Twitter audience. Here is the tweet: (link to twitter.com, not any specific tweet or profile). Here is something similar: (same blog post they wanted me to check out last time). I hope you enjoy it. Do leave a comment or share it. I archived it. Clearly, a follow-up cold email form with sloppy attention to details. I’m not going to share content from anyone who isn’t careful about details, since the content I share and curate  reflects on me. Recommended Reading from Neil Patel: The 6 Types Of Social Media Content That Will Give You The Greatest Value Two weeks later, I receive an email from the same group. Unfortunately, they mixed up their copy and paste efforts, it seems, and it was for some guy I didn't know, containing an email reply chain. Same email template and wording, same blog post they were pushing. I responded back, letting them know of the mix-up and that their email hadn’t gone to the correct person. I also politely and pleasantly noted I was not interested in these types of cold emails. Ten days later, I received an email starting another round of the same templates for another blog post. I archived it. Ten days after that, someone else from that group made a friend request on some of my social media profiles and promptly sent me a message with a link to their LinkedIn Group. Sixteen days after that, I received a  cold  email announcing beta access to their app. They also asked if I would please sign up and promote their app on social media and on my blog to my friends? Ye gads. This is one example. I have many. I save the emails, because sometimes I can’t believe people are doing it. I want to say this to these folks who are going about cold email marketing in this manner: You keep taking up my time and bandwidth. What do I get out of this? Before you send cold emails, ask yourself: What does the receiver get out of this? #WIIFMWhat To Ask Yourself As You Write Your Cold Emails Assuming you’re not an influencer and that you’re looking to build your audience and get some new attention with the help of someone who has a bit of influence, what do you have to do to make cold email marketing effective again? Frankly, much of these next steps can work for any marketing approach, not just cold emails. 1. Did it jump the shark? Before we proceed too much farther, I’d advise you to learn how to evaluate a marketing technique and decide if it’s jumped the shark. This cold email technique may have, indeed, reached critical mass, if you have influencers and others grumbling about it on social media. It has been proposed by leading marketers as a winning technique for so long now  and has been used by those of us in the trenches, causing it to lose its power. But maybe not. What kind of responses are you  getting back? Perhaps your email method works, perhaps your style is off, or perhaps the technique is alive or dead. You decide. 2. Am I valuing the person? Signs of not  valuing the person you’re about to make a request of: Emails that fill up already crowded and noisy inboxes that are filled with jargon, insincere compliments, overly casual friend-talk from a stranger High request loads (share this, do this, review this) for busy people Constant â€Å"follow-up† And a barrage of simultaneous friend requests on every social network out there the same time you send the email That feels like a war campaign, not a genuine relationship. That feels like you’re checking things off a marketing list according to a schedule, and not seriously inquiring and engaging. You clearly want something from the person without any quid pro quo. Explore how you can bring true value to the influencer before you send #ColdEmail.3. Is my timeline off? Remember, people don’t move at the speed of marketing. Engagement is not a cold email and a follow-up. That’s little more than the digital form of advertising circulars in the mail that have my name on it generated from some database. Real relationships, and real engagement, takes time. You can’t flood the Internet with cold email marketing in hopes of fast returns. In other words, do not spray your emails out to random influencers and strangers, taking the shotgun approach and hoping something sticks. That’s a good way to ruin your reputation and have your email marked as spam, or categorize you as a â€Å"troublesome" emailer. You must focus on specific people with specific communication tailored directly to them personally and genuinely. Their interests. Their concerns. Thoughtful responses. That level of communication necessarily reduces the amount of emails you can send out, and it stretches out the timeline. While it would be nice to think of cold emails as a campaign-based technique that fits a particular timeline centered around a specific set of content, I am suggesting that era has passed. It may have worked that way when the technique first developed, but if my inbox is any indication, getting a flood of emails based around the latest content piece someone is pushing that month and my reaction to it (as well as the now-gone tweet mentioned earlier), it's leaving a bad taste in people’s mouths. 4. Is there any real interest? If you don’t hear back, you didn’t hear back. Don’t follow-up your follow-up your follow-up your follow-up. Don’t send messages on other social network messaging systems, too. If the person isn’t interested, move on. And tell the rest of your team as much. They’re just not that into you. If someone doesn't reply to your #ColdEmail, they're just not that into you. Move on.What You Need To Do If you’ve asked yourself those questions and are legitimately good to go forward, you need to know how to do it right. 1. Pre-engagement engagement. Choose a few influencers or people you’d like to target in the hopes that they will do the same for you. Be creative. Pick a few who aren’t on the top of everyone’s list, perhaps. Look for people who: Are active on social media. Have followers who are active. Have lots of blog comments. Are in the habit of promoting others or doing what you’re ultimately going to ask them to do. Are someone you’ve engaged with legitimately (i.e. not looking to get something from) in the past. Have responded to you in the past. Are doing something unusual, unique, or have a brand or thing going on that is different from everyone else that you are  truly interested  in. Please notice:  You’ve engaged with them in the past without trying to get something from them. And also, please notice: Someone doing something you’re truly interested in. Do you see people as merely a means to an end? Do you target influencers who are merely in your niche or have the fame, or are you actually interested in what they say and do? If you aren’t truly interested, you’re going to have a tough time forming a legitimate relationship and communicating with them on a real level. Do you see people as merely a means to an end? If yes, influencer outreach isn't for you.Remember this, because I’m going to harp on this and allude to it for the rest of the post: Natural conversation stems from true interest. Real relationships stem from caring about someone else. If you’re a well-known person in your niche, and considered an important and relevant influencer, you might be able to get by without some of this. After all, you can’t care about everyone; you’d be exhausted. But most of us aren’t, and you need to lay the groundwork of genuine friendliness first before launching requests. If your first contact as an unknown quantity is market-ese, empty flattery, a form email, and â€Å"do this for me please†, you failed. You did it wrong. 2. Inject tangible value into your communication. Remember, this cold email technique doesn’t work unless you genuinely have something of value to offer the recipient. And by genuine, I don’t mean some sort of empty flattery or suggestions of assumed or forced quid pro quo (â€Å"I share your stuff all the time. You should do the same for me.†) You need to add some value. And you need to show that you value the actual person. Adding value and benefits is easy enough. You know the drill. You offer the recipient access to exclusive information or data, a free copy of your ebook, a guest post, help with something, first use of an infographic- that kind of value and benefit is easy to understand. But how do you show the person that you value them? Simple: You assign time or money to the interaction. In a busy and fast world, time and money carry weight. You could send a postcard. A letter. A Graze box. A holiday card. Treats for their whole team. A hot new book on their Amazon wishlist. If the person constantly gushes about Yo-Yo Ma on their social media feeds, send them a Yo-Yo Ma CD. If they love Star Wars, send them something Star Wars-y. Donate to their favorite charity. Spend months conversing about non-marketing things like you would with a friend. Offer to help them here and there, early on, before popping a request (â€Å"I’d be happy to be a beta tester/bug finder† or â€Å"I can create some graphics for you if you need a little help.†). This isn’t about being a creeper or about breaking some sort of pay-to-play laws. It isn’t a guarantee they will do what you want. It’s merely saying with action that the person matters and you took the time to show it. Talk is cheap, especially online, and when I get something that took time or money to communicate with me, I pay attention. That person was willing to expend something of value to them in order to get my attention. For example, I recently received a letter from a blog reader from Kentucky who had read a post I’d written here on the blog. And by letter, I mean paper, in an envelope, with a stamp. He wanted to thank me for writing on a topic that he hadn’t realized he should learn about, and felt he needed to let me know how much it had helped him. So I wrote back. I responded. If that person asks something of me, I will certainly be paying attention and more likely to at least respond again. I’m going to be bold and say that being personal is the only way to stand out now. Clever or flattering language in an email doesn’t really do it. It’s not enough, anymore, to run the data and find a â€Å"slow email† day so your email doesn’t get lost in the shuffle because, truthfully, there are no slow email days. They’re all pretty heavy, with some days being merely slightly less heavy. Say  with action that the person matters and you took the time to show it. #OutreachIf you simply can’t imagine doing anything more than email, block out the time to send real emails long before you need to make a request. You might: Ask their opinion about something they are interested in (anything other than about a post you just wrote). Ask questions, as if they were a mentor (but no links to your site right away). Sincerely tell them how their writing has helped you. Share some content with them that isn’t yours. Tell them why you thought it might help, or how it fit in with what they have previously talked about. And then wait a bit before repeating. You’re establishing that you’re not just out for what you can get. When thinking of cold contacting an influencer to gain traction for your content, ask yourself these questions: What is too common? What is uncommon? How can I make this happen using something uncommon? You know what happens when you add benefits and show the email recipient they are valuable to you? They see your request  as being more valuable. You took the time to add value to it, therefore, it is a more valuable request. This is a simple equation. 3. Don’t care so much. This one technique, that of cold emails, cannot be the cornerstone of your marketing plan. If it is, you'll care too much. If you care too much, you’re going to chase after it too hard. You’re going to â€Å"follow up† to the death and ruin your chances of future success. I’m not proposing apathy, but patience requires you not to sit and stare at your phone waiting for the email to arrive. Be Picky. The crucial question is this:  What can you do  (not just say) that shows you invested time and/or money into your communication? What have you done that shows you value the person? What can you do (not just say) that shows you invested time/money into your #Outreach?If you have the mindset that the person you’re making the request of is more valuable than your request, you won’t slip into spammy and frustrating behavior, and something, ultimately, will come from your efforts. So, in recap: 1. Pick your request. By deciding that you will add true value (backed by time and money) to your request, you’ll be less sloppy and more casual in the requests you make. Instead of pushing every third blog post, you'll take the time to create some kind of content that truly matters. 2. Pick the person. Use the list and choose your email recipients wisely. A bigger list isn’t always best. Be sure you only take on what you can handle in a personal manner. 3. Pick the method. Choose a creative way to communicate to get the recipient’s attention, but remember to do it early on before you begin to make requests. Be uncommon. If email is the only route you can go, remember that caring about people and communicating that genuinely without wanting something in return is, in and of itself, uncommon.

BPL vs. DLL in Delphi Programming Applications

BPL vs. DLL in Delphi Programming Applications When we write and compile a Delphi application, we typically generate an executable file - a standalone Windows application. Unlike Visual Basic, for example, Delphi produces applications wrapped in compact exe files, with no need for bulky runtime libraries (DLLs). Try this: start Delphi and compile that default project with one blank form, this will produce an executable file of about 385 KB (Delphi 2006). Now go to Project - Options - Packages and check the Build with runtime packages check box. Compile and run. Voila, the exe size is now around 18 KB. By default the Build with runtime packages is unchecked and every time we make a Delphi application, the compiler links all the code your application requires to run directly into your applications executable file. Your application is a standalone program and doesnt require any supporting files (like DLLs) - thats why Delphi exes are so big. One way of creating smaller Delphi programs is to take advantage of Borland package libraries or BPLs in short. Whats a Package? special dynamic-link library used by Delphi applications Packages enable us to place portions of our application into separate modules that can be shared across multiple applications. Packages, also, provide a means of installing (custom) components into Delphis VCL pallete. Therefore, basically two types of packages can be made by Delphi: Run-time packages - provide functionality when a user runs an application - they operate much like standard DLLs. Design-time packages - used to install components in the Delphi IDE and to create special property editors for custom components. Design packages From this point this article will deal with run-time packages and how they can help Delphi programmer. One wrong mit: you are not required to be a Delphi component developer to take advantage of packages. Beginner Delphi programmers should try working with packages - theyll get better understanding of how packages and Delphi work. When and when Not ot Use Packages DLLs are most commonly used as collections of procedures and functions that other programs can call. Besides writing DLLs with custom routines, we can place a complete Delphi form in a DLL (for example an AboutBox form). Another common technique is to store nothing but resources in DLLs. More information on how Delphi operates with DLLs find in this article: DLLs and Delphi. Before going on to comparison between DLLs and BPLs we have to understand two ways of linking code in an executable: static and dynamic linking. Static linking means that when a Delphi project is compiled, all the code that your application requires is directly linked into your applications executable file. The resulting exe file contains all the code from all the units that are involved in a project. Too much code, you might say. By default, uses clause for a new form unit list more than 5 units (Windows, Messages, SysUtils, ...). However, the Delphi linker is smart enough to link only the minimum of code in the units actually used by a project. With static linking our application is a standalone program and doesnt require any supporting packages or DLLs (forget BDE and ActiveX components for now). In Delphi, static linking is the default. Dynamic linking is like working with standard DLLs. That is, dynamic linking provides functionality to multiple applications without binding the code directly to each application - any required packages are loaded at runtime. The greatest thing about dynamic linking is that loading of packages by your application is automatic. You dont have to write code to load the packages neither you have to change your code. Simply check the Build with runtime packages check box found on the Project | Options dialog box. The next time you build your application, your projects code will be linked dynamically to runtime packages rather than having units linked statically into your executable file.

The Grievances of the Palestinians Under the Occupation and a Popular Research Paper

The Grievances of the Palestinians Under the Occupation and a Popular National Uprising - Research Paper Example As the Intifada continued to spread and escalate, Oslo happened. The prospect of peace and the emergence of a liberated and sovereign Palestinian state, concomitant with the recognition of the PLO as the official representatives of the Palestinian people, had brought the violence to an end. As the events of 2000 were to later indicate, however, the Intifada had only been temporarily abated by the promise of peace and the prospect of Palestinian statehood and sovereignty. As it became increasingly evident, however, that Oslo was not going to be realized and as socio-political and economic conditions in the occupied territories continued to worsen, the second Intifada erupted, sparked off by the then-Defense Minister Ariel Sharon’s effective storming of Al Aqsa Mosque. The Palestinian Intifada, as may be deduced from the preceding, is a confrontational resistance to the occupation. As the Palestinians have been resisting the occupation since 1948, it is necessary to distinguish the Intifada (both first and second) from other forms of Israeli-Palestinian confrontation. In essence, as contrasted with previous cycles of contention during the Palestinian-Israeli conflict, the Palestinian Intifada may be distinguished by two central features. First its structural context: the fact that the Palestinians were a national minority under Israeli military occupation as opposed to other past structures of the Israeli-Palestinian conflict (e.g. two national movements grappling under a British mandate, 1919-1948).

Software Procurement Strategies Essay Example | Topics and Well Written Essays - 750 words - 1

Software Procurement Strategies - Essay Example Lack of enough expertise internally has been shown to cause huge application delays on the delivery time, high cost of procuring and deploying the application and lack of proper documentation. When applications are developed in house there will be need to have technical member(s) of staff (Hunt & Westfall, n.d.). This will increase the operating cost of the school. When developing applications in-house most businesses are only concerned with the functionality of application. While applications need to work correctly there is a sense in that some standard methods of developing an application must be followed (Lin & Tsui, 2000). Developing an application internally there are risks of developing an application that does not meet industry accepted standards is high. The danger of not having a standardized application is that one changes need to be done on the application it could turn into a catastrophic collapse of the entire application. Computer applications grow, as businesses grow. With this in mind, developing an application must follow standards that will allow easy evolution of the application without requiring a full re-development in case changes are required except where business requirements have changed. Customization is a process which an institution procures an application with general specifications or requirements and then modifies it to meet its specific need (Nelson, et al., 1998). When the school intends to procure an application using this method they will have some challenges they have to overcome. The risks involved in such procurement are: Applications that are acquired in this method need to be easy to customize. This is only a desire that is not met many times. Applications that have been developed elsewhere may have classes, interface, or methods that are difficult to customize. This will lead to low

Discuss the factory in connection with spaces and subjects of Essay

Discuss the factory in connection with spaces and subjects of modernity - Essay Example g the prices down to the point where the cottage industries could no longer afford to stay in business and individuals were forced to come into the cities to find work – namely, at the factories. The factories, in order to keep track of their employees to pay them appropriately, artificially divided the day into shifts, including the day shift, night shift and graveyard shift. Through the use of this convention, factory workers began identifying themselves as a part of a crowd rather than an individual being. In addition, they no longer had the power to order their day according to their individual biorhythmic schedules as they might have done in the small towns and farms, but were expected to conform to the rigorous routine espoused by the corporation. This objectification was further emphasized within the factory by the mechanistic work structures and the tendency to reward those individuals who â€Å"caught on† quickest to changes and adaptations. Georg Simmel (1903) wrote that this practice within the factory served to make each individual only a mere cog in the wheel, interchangeable at their work stations, yet indispensable in that perhaps only a few people knew how to operate that particular piece of machinery or that part of the production line. In this latter sense, each man was also dependent on the others to get their jobs completed. Within this mechanized world, money emerged as the common denominator of all values. The more you have, the more individuality you are afforded within this metropolitan system. This wasn’t a new concept, but was further emphasized within the factories with the designation of shirt colors, as in white collar worker for those individuals who were in the upper tiers of the workfloor and blue collar workers for those who were expected to get dirty in the performance of their work – in other words, the drones. Within this culture, the emphasis is placed on the objective worldview, in which everyone fits within a

A theological reflection on unity and uniqueness

A theological reflection on unity and uniqueness CHAPTER TWO A THEOLOGICAL REFLECTION ON UNITY AND UNIQUENESS Biblical and Theological Basis Unity and uniqueness are integral and consistent to the composition of the universe. The world around and the skies above reveal the Creators work, a tapestry of creation that abounds with harmony and diversity. The world He fashioned overflows with originality and there are distinct markings of diversity, yet all of the differences are held together in consistent unity. Christian theology accounts for both the coherence of the universe and the distinctiveness of its parts. This is the core of the Apostle Pauls confession; â€Å"all things were created in heaven and on earth, visible and invisible, whether thrones or dominions or principalities or authorities-all things were created through Him and for Him. He (Jesus Christ) is before all things, and in Him all things hold together† (Colossians 1:16). The created order of things in the world is not static; it is utterly dynamic. The cosmos is loaded with dynamic diversity that is simultaneously being held together in unity, in Christ. Both the Old and New Testaments support the theme of uniqueness and unity. In this theological reflection the researcher will examine the idea of unity and uniqueness as revealed in Scripture. The theological basis for this project is that the theme of unity and uniqueness is one of Gods overarching principles conveyed in the revelation of the Godhead, the composition of the Canon, and in the design of the institutions of marriage and Church. In this paper, the researcher will give greater attention to the study of the Trinity because, â€Å"all the crucial elements in ecclesiology and entire theology are rooted in the doctrine of the Trinity.† Unity and Uniqueness in the Godhead The theme of uniqueness and unity exists in creation is an echo of the presence of uniqueness and unity in God. One of the most basic Christian beliefs is that God is â€Å"one God in three persons.† This doctrine is recognized in the historic Christian faith as the doctrine of the Trinity. While the word â€Å"trinity† does not occur in the Bible, nor is the theological concept fully described in the Text, the idea is rooted in the scriptures. Since there is no overt reference to God as Triune in the Bible, Emil Brunner, the Swiss Protestant theologian gives an insightful perspective: â€Å"The ecclesiastical doctrine of the Trinity, established by the dogma of the ancient Church, is not Biblical kerygma, therefore it is not the kerygma of the Church, but is a theological doctrine which defends the central faith of the Bible and of the Church.† Early church theologians developed the term Trinity as a way to communicate the three distinctive persons of God that constitute one divine being. They developed this doctrine in resistance against dangerous heresies, in which Christ with God was called into question, either on Gods behalf or on Christs. Jurgen Moltmann, an influential thinker on modern Trinitarian theology, writes, â€Å"It was only in these controversies that Trinitarian dogma grew up, and with the dogma grew its formulation, as philosophical terminology was given a new theological mould.† This new doctrine would be derived from the Latin word trinitas, meaning â€Å"threeness,† referring to the Tri-unity of God. This doctrine conveys that the eternal Godhead exists as three distinct Persons. All three—the Father, Son, and Holy Spirit -are distinct yet interconnected. The early church explored the revelation of Gods three-in-oneness and the conclusions of these explorations were expressed in the Athanasian Creed, â€Å"We worship one God in Trinity, and Trinity in Unity; neither confounding the Persons: nor dividing the substance.† This theme of Trinity can be summed up in this concise way: â€Å"The Father is God, the Son is God, the Holy Spirit is God; yet, there are not three gods, but one God.† Man did not invent this doctrine of Trinity; this doctrinal position was established in creed to articulate the concept of a triune God based on the revelation through Scripture of three manifestations of the Godhead. In the first century church arguments were intense regarding what precisely was â€Å"three† about God, what was a divine person, what was â€Å"one† about God, what this meant for now, and how the nature and identity of Jesus should be understood. The early church discussions did not remove the mystery; rather the creed they established on the doctrine of the Trinity merely gives clarity within the mystery, providing reassurance by wrapping words around an imagination expanding reality. The creeds are nothing more than a well-ordered arrangement of the facts of Scripture which concern the doctrine of the Trinity. Hodge writes that, â€Å"They assert the distinct personality of the Father, Son and Spirit; their mutual relation as expressed by those terms; their absolute unity as to substance or essence, and their consequent perfect equality; and the subordination of the Son to the Father, and of the Spirit to the Father and the Son, as the mode of subsistence and operation. These are Scriptural facts, to which the creeds in question add nothing; and it is in this sense they have been accepted by the Church universal.† While the creed gives clarity to the mystery, it in now way contains an explanation for the God who created the heavens and the earth. Gods nature and essence cannot be completely understood by the human mind. Finite minds cannot comprehend an infinite God. The fullness of the nature of God remains outside of our experience and knowledge. God is transcendent and the uniqueness and unity within the Godhead is described in complex terms. The church did not invent the doctrine of the trinity; it just accepted it from what God revealed about Himself through the Bible. The doctrine of the Trinity gives us a key to understanding unity in diversity. Inside this dogma is an implicit uniqueness within the distinctive persons of the Godhead that does not diminish the unified essence. Trinity reveals much about the nature of God and the values of the universe. The actual content of the doctrine of the Trinity may be summarized with four statements: â€Å"God is one, God is three, God is a diversity, and God is a unity.† These four simple statements come together in a doctrine that is complex and paradox; it is a beautiful mystery that is biblically justified. Though we may never fully comprehend the mystery of the Trinity, we can reach for higher understanding while standing firm on the concrete form of biblical revelation. The researcher will point to passages that communicate and illustrate the reality of trinity. There is much to work with, according to the Princeton theologian B.B. Warfield, â€Å"the doctrine of the Trinity is rather everywh ere presupposed in the Bible.† The Unity of God: There is Only One True God The Bible does not teach tritheism or polytheism; Scripture teaches that there is only one true eternal God. The unity of God is rooted in the Jewish faith anchored in the Torah. The Hebrew people were monotheistic, which in the ancient world positioned them in stark contrast with their surrounding nations who worshiped â€Å"many gods.† Even to this day, as an act of worship the Jews regularly proclaim their blessing, or creed, called the Shema: â€Å"Hear, O Israel: The LORD our God, the LORD is one. Love the LORD your God with all your heart and with all your soul and with all your strength.† (Deut. 6:4-5). This statement clarifies their belief in the Oneness of God. The doctrine of the Trinity affirms the Hebrew understanding of God, but differs in that the LORD is understood to be one not in â€Å"a solitary unity but a composite unity.† As Christians we believe that the God of the Trinity is the one whom the Old Testament worshippers knew as Elohim or Yahweh. In their worship of Yahweh there was temptation to take up the many gods of their pluralistic neighbors. While other nations were embracing polytheism, the prophet Isaiah reminds Israel, â€Å"This is what the LORD says, ‘I am the first and I am the last; apart from me there is no God.† (Isaiah 44:6). The Apostle Paul carries this teaching of the Oneness of God into the New Testament, three times he instructs the church, â€Å"there is no God but one† (1 Cor. 8:4, 1 Cor. 8:6, 1 Timothy 2:5). The Uniqueness of God: Three Distinct Persons Plurality through Pronouns and Names. There are traces of Trinity in the Old Testament, most of them are found in Gods revelation of himself through names and pronouns. The name Yahweh may be the first name God chooses to introduce himself with in a conversation, but the first name used for God is the Hebrew word Elohim. â€Å"In the beginning God [Elohim] created†¦Ã¢â‚¬  (Genesis1:1). After only four words into the Biblical story, God introduces himself as Elohim, which is a plural form, and though no clear statement of trinity is contained, a plurality of persons could be implied. Another early allusion to divine plurality is found later in the chapter, â€Å"Let us make man in our image, in our likeness.† (Gen 1:26). He says again, â€Å"The man has now become like one of us†¦Ã¢â‚¬  (Gen 3:22). And a third time he says, â€Å"Come, let us go down and confuse their language† (Gen. 11:7). Contemplating these passages, a Roman Catholic theologian, Bertrand de Magerie asks: â€Å"Does this Divine â€Å"we† evoke a polytheistic age anterior to the Bible? Or a deliberation of God with his angelic court? Or does it not rather indicate the interior richness of the divinity? How does it happen that only in these four passages the plural form of the name Elohim used here has influenced the verb, which is plural only here? And what is more extrodinary is that these plural forms are introduced by formulas in the singular: ‘Elohim says. † These questions are presented in an attempt to help the reader engage with the plurality of God. They look to compel the reader from dismissing plurality in the Torah as a highly intriguing to realizing its high importance as an insinuation for the Trinitarian idea. Distinctive Plurality through Unique Activity. Evidence for the concept of plurality in the Godhead exists beyond pronouns and names; it is also found in the distinguishing activity of God in Genesis. Within the creation account there is an explosion of activity where each person acts uniquely with his own actions. In Genesis 1:1 God the Father is revealed existing as the originator of the created world. He is presented as the mastermind behind creation and the one who generates the universe ex nihilo. He In Genesis 1:2, the Bible introduces God as the Spirit who watches over the works of creation, hovering as the waters. He is the active agent in creation. He is the one who â€Å"hovers† over creation, keeping things in tact, preserving, protecting, and unifying what the Father brings into being. The Spirit brings order out of chaos and confusion. As one theologian writes, â€Å"it is because of Him that we have cosmos instead of chaos.† In Genesis 1:3 we are introduced to the â€Å"Word† of God through whose work the will of God becomes initiated. God speaks and the Word brings it into reality. John writes in the fourth Gospel, â€Å"In the beginning was the Word, and the Word was with God, and the Word was God. He was with God in the beginning. Through him all things were made† (John 1:1-3). While the doctrine of the Trinity was not clearly enunciated in the Old Testament , the theologian Gerald OCollins, has stated, â€Å"The vivid personification of Father (Wisdom), Son (Word), and Spirit, in as much as they were both identified with God and the divine activity and distinguished from God, opened up the way toward recognizing God to be tripersonal.† Distinctive Plurality through Unique Personhood. These Old Testament account only gives an allusion of Trinity; the Trinitarian doctrine receives much fuller treatment in the rest of the Bible as God manifests himself and further reveals himself to humanity. The Trinitarian concepts chief development is anchored in the New Testament, the Gospels present the revelation of Jesus Christ the Son, and in the book of Acts, describes the sending of the Holy Spirit on the Church. In several New Testament passages Christ is clearly called God (Heb 1:9-9, John 1:1, John 20:28) In The latter passage, John 20:28, one of the apostles, Thomas, confronts the resurrected Jesus and proclaims, â€Å"My Lord and my God.† From this verse, the Scholar D. Moody Smith, contends, Thomas response is exactly appropriate, as he utters the confession of Jesus as Lord (kyrios) and God (theos). This confession is typical of early Christian theology and language as far as Lord (kyrios) is concerned, but uniquely Johannine in its ascription of the name of God (theos) to Jesus as well. In 1:1 the preexistent word (logos) is called God (theos) and at the end of the prologue this most exalted title is repeated, after the incarnation of the Word in Jesus has been confessed. For the most part John withholds the designation theos from Jesus, but in the course of the narrative makes clear that this ascription of deity to Jesus is indeed correct and unavoidable (5:18; cf. 5:19-24; 10:30; 14:8-11). While Thomas may have once doubted, he has now made the confession that is essential and true. Jesus is Lord and God. The description of Christ as God was an important explanation that integrated New Covenant theology with the monotheistic Hebraic covenant of the Old Testament. The confession of Thomas and the other passages in the New Testament help construct the Christian understanding of Christ as God. The concept of the Spirit of God in the Old Testament is carried over into the New Testament. The same person of God that â€Å"hovers† over his creation and the Holy Spirit fills Mary and descends on Jesus at his baptism. As Jesus was being baptized, the Trinity became expressive to human senses. John the Baptist and others who witnessed the baptism, audibly heard the voice of the Father affirm Jesus as his Son, and visibly saw the Holy Spirit descend on Jesus in the likeness of a dove. The Spirit is revealed in the likeness of tongues of fire when he empowers the disciples on the day of Pentecost. This is in fulfillment of Jesus promise to his disciples that â€Å"the Holy Spirit, whom the Father will send in my name, will teach you all things and will remind you of everything I have said to you† (John 14:6). Jesus words at the end of Matthews Gospel are known as the â€Å"Great Commission,† but one mustnt overlook the â€Å"great expression† of Trinity. Jesus sends out his disciples to baptize with the â€Å"Trinitarian formula†, â€Å"Therefore go and make disciples of all nations, baptizing them in the name of the Father and of the Son and of the Holy Spirit† (Matthew 28:19). Christs words reveal Trinity. Later in the New Testament, in the Epistles, the Apostle Paul gives description of the Spirits nature and activity. To the church at Corinth he explains, â€Å"We have not received the spirit of the world but the Spirit who is from God, that we may understand what God has freely given us†(1 Cor. 2:12). Paul gives other direct references to the Spirit that are unmistakable Trinitarian references. In another letter to the church at Corinth offers a benediction, â€Å"May the grace of the Lord Jesus Christ, and the love of God, and the fellowship of the Holy Spirit be with you all† (2 Cor. 13:14). Conclusion In this section, the researcher has presented key passages that reference the triune God, demonstrating that the Bible reveals God existing as three unique persons yet in unity as One, which is the doctrine of the Trinity. There is complexity within the specific functions of the Godhead yet a unity in their purpose and three Persons. Each of the three Persons performs specific functions and are involved in everything together. This doctrine is fundamental to understanding the theme of unity and uniqueness in the universe, because whenever we see it in our world it exists as an expression or echo of its source in the Godhead. The Trinity holds a central place in this project going forward because all crucial elements in theology, ecclesiology, and sociology, are rooted in the doctrine of the Trinity. This section has demonstrated that the doctrine of the Trinity has roots in Scripture. But when looking at the themes of unity and uniqueness we see that even the Bible itself, it bears the mark of unity and uniqueness in its composition. The work is a reflection Trinitarian essence of the divine author. Uniqueness and Unity in the Cannon Though ‘Bible is a singular term, the Bible is not one book, but a library of diverse writings concerning God and his relationship with the world. While the theme of uniqueness and unity is present in the revelation of Gods Word, it is also evident in the composition of the Bible. The Bible is a diverse collection of books that present one over arching unified theme. â€Å"Neo-Orthodox† theologians in the past century worked to revive an emphasis of study in the unity of the Bible. Professor C.H. Dodd called for greater study in this area; â€Å"Biblical scholars have long worked on separate sections in what might be called the centrifugal movement, but now the centripetal movement is needed; a study of the unity of the parts, an attempt to find the deeper meanings of the dominant theme present within the diversity of writings. This section will examine the uniqueness in the composition and the unifying theme of the text. The Uniqueness of the Books within the Cannon. The Bible is a diverse collection of books that were writing over a period of 1,500 years by many authors from a wide range of experiences and walks of life. These 66 unique were written in a variety of historical and cultural contexts. The 40 authors wrote in a wide array of literary forms. The diversity of the writings may be described as the humanity of the Bible, since it extends over a vast range of human experiences and perspectives. This diversity is expressed well by author Terry Hall: â€Å"It had to be one of the strangest publishing projects of all time: no editor or publishing house was responsible to oversee 40 independent authors representing 20 occupations, living in 10 countries, during a 1,500 year span, working in 3 languages, with a cast of 2,930 characters in 1,551 places, together they produced 66 books, containing 1,189 chapters, over 31,000 verses, 7 hundred 74 thousand words and over 3.5 million letters. This massive volume covers every conceivable subject ex pressed in literary forms poetry, prose, romance, biography, science, and history, to tell one story with internal consistency.† To appreciate the difficulties the unity of the Scriptures, we only need imagine the complexity in turning this diverse collection into a unified work. The complex reality of the unity in composition despite broad sweeping diversity reveals evidence for divine authorship. The evidence is from the reality that despite the many differences there is one overarching meta-narrative. The internal consistency could be described as the divinity of the Bible. God chose to use distinctive, unique personalities to reveal his unified infallible, inerrant word. God weaves together the diversity and uniqueness to form one story, the story of redemption. The Unity of the Cannon. Gods Word is always united to this theme of redemption and tied in with history. G. Ernest Wright regards this unity as â€Å"the confessional recital of Gods saving and redemptive acts.† If one follows the meta-narrative, the story line leads from creation, to the fall of man, to the need for redemption, to the sacrificial system, to the person of Jesus who fulfills prophecy and brings redemption through his sacrifice, from the garden to the great city of God, the consistent unifying theme within the Book is Jesus and the work of redemption. A tradition in the British Navy illustrates this unifying theme; there was a practice in the Royal Navy that every rope they used would have a scarlet cord woven into it. The cord would run from end to end, that way whether lost at sea or stolen in the harbor, no matter where the rope was cut, every inch was marked and it was evidenced that it was possession of the crown. And so it is with the Bible, in the united message within the diversity of the Text. The Scriptures are comprised of 66 books and regardless where one cuts in on the story, there is one unified theme, the redemption of mankind through the work Jesus the Messiah. Karl Barth called this the â€Å"Christological concentration.† He stated this central emphasis on Christ this way; â€Å"in the Bible only one central figure as such has begun to occupy me or each and everything else only in the light and under the sing of this central figure.† Jesus Christ is the scarlet thread that runs throughout the Bible. Bible contains unique books with unity in their composition and theme. Conclusion The diversity and unity of the Bible is supernatural, the evidence supports its claim to be the revealed Word of God. There is a striking a unity out of diversity, a harmonious and continuous message from beginning to end, a self-consistent whole, where the main theme is the person and work of Jesus Christ. God intended for the diverse books of scripture to fit together as a unified whole, the various books coming together as a beautiful and cohesive whole is just another revelation of this universal theme of unity among unique parts. The divine author has designed this into the created order of the Cannon and integrated unity and uniqueness in the created order of humanity and the architecture of the institution of marriage. Unity and Uniqueness in Marriage God is Trinity, which means that in God there is a unity, a perfect consistency of essence. Since this is within his being, God finds delight in uniqueness within unity. God makes his pleasure known by weaving this theme into the cosmos, into the cannon, and into the crown or apex of his creation, humanity. The essential unity of God finds expression in the creation of mankind and the institution of marriage. Humans have been stamped with unity and uniqueness, since God created man in â€Å"[His] image, in [His] likeness† (Genesis 1:26). The process of being created in Gods image has important implications for human relationships, as Stanley Grenz explains: â€Å"The image of God is primarily a relational concept. Ultimately we reflect Gods image in relationship. Thus the imago Dei is not primarily an individual possession but a corporate or social reality, present among humans-in-relationship.†When God created humans, â€Å"He constructed into creatures and relationships a unity-in-diversity that characterize the eternal divine reality.†This creative act of unity and uniqueness is evident in the creativity of the male and female design: â€Å"God created man in his own image, in the image of God he created him; male and female he created them† (Genesis 1:27). The male and female distinction within humanity mysteriously reflects the image of God. This is revealed in the marriage mandate and the divine institution of marriage. The Marriage Mandate The marriage relationship has been deigned and instituted by God. In fact, marriage is the very first institution that God creates. In the created order, marriage is formed before civil government and the local church. Marriage is the primary institution and is the preeminent building block of societal vitality. God sets forth his design for marriage in the marriage mandate, â€Å"For this reason a man will leave his father and mother and be united to his wife, and they will become one flesh† (Genesis 2:24). The Hebrew word for one in one flesh, is the same Hebrew word used in the Shema, â€Å"Hear, O Israel: The LORD our God, the LORD is One† (Deut. 6:4-5). This word one references the unity of the Godhead made up by three unique persons with three distinct roles. In the case of marriage, it is not tri-unity as with God, rather it is unity of two persons, male and female one flesh. This oneness, or unity, is the marking reflection of Gods essence on the marriage covenant. Uniqueness in Marriage The oneness of marriage does not mean that the marriage mandate reduces or eliminates individuality. Just as the distinct persons and different roles in the Trinity are unified in purpose and mission as one, male and female in the marriage covenant come together as one. Both persons bring their distinctive personalities and giftedness, unique passions and abilities together, not to exist merely as two individuals but to become united together. The Bible teaches that marriage is the complimentary functioning of two unique persons in their roles to reflect the image of God. It is important to note that distinct persons and different roles does not indicate different value. Just as the three persons of the Trinity are equal in their value and in their personhood, also women and men have been created equal in their worth. Neither male nor female are â€Å"better† or â€Å"worse† than the other. In Gods economy, both male and female are equal before him. As the apostle Paul writes in the letter to the Galatians, â€Å"There is neither Jew nor Greek, slave nor free, male nor female, for you are all one in Christ Jesus† (Gal. 3:28). Scripture affirms absolute equality of personhood. But equality of value and importance is different than equality of role and responsibility. Males and females have been assigned unique roles according to the created order. Pastor and Theologian John Piper writes: â€Å"In the Bible, differentiated roles for men and women are never traced back to the fall of man and woman into sin. Rather, the foundation o f this differentiation is traced back to the way things were in Eden before sin warped our relationships. Differentiated roles were corrupted, not created, by the fall. They were created by God.† Although man and woman are equal, Scriptures teach that there are proper roles within the marriage mandate. The Apostle Paul defines these roles in this letter to the Ephesians. He writes, â€Å"Wives, submit to your husbands as to the Lord. For the husband is the head of the wife as Christ is the head of the church, his body, of which he is the Savior. Now as the church submits to Christ, so also wives should submit to their husbands in everything. Husbands, love your wives, just as Christ loved the church and gave himself up for her† (Eph. 5:22-26). The husband is called to serve and sacrifice for his wife as an expression of his love for her. Likewise, the wife is called to submit and respect her husband as an expression of her love for him. In this way they complement each other. God has given the husband the role of loving servant-leadership, with a responsibility to lead, protect, and provide for the wife. In the same way, a womans responsibility is to affirm and support his leadership, as a helpmate. The complementing distinctions create a mutually supportive home that affirms each others calling in Christ. These two complementary halves unite physically, spiritually, mentally, emotionally and physiologically and the unity of the uniqueness reveals the image of God in marriage. Unity in Marriage The Bible uses the phrase â€Å"one flesh† to describe the mysterious and miraculous unity that is present in marriage. This description distinguishes the union of marriage from any other human connection, differentiating the marriage relationship from any other social institution. Marriage is not the product of social evolution or a cultural invention; rather it is a pre-fall created relationship that began with the primal event in the Garden of Eden. Within marriage there is this sacred mystery of unity and uniqueness held together in one entity. In the New Testament, Jesus affirms the marriage mandate and profound significance thereof: â€Å"Have you not read, that he who created them from the beginning, made them male and female. And said for this reason a man shall leave his Father and Mother and shall cleave to his wife and they shall become one flesh? Consequently they are no longer two but one flesh. What therefore God has joined together let no man separate† (Matthew 19:4-6) Christ presents the profound significance of the ordained demarcation, as the man and woman leave their father and mother, and unite as they cleave to one another in the sight of God and become â€Å"one flesh.† Cleaving together and becoming â€Å"one flesh† as husband and wife is symbolized and sealed by sexual union, but the â€Å"one flesh† relationship entails more than sex. It is the mysterious fusion of two lives into one, where life is shared together, by the mutual consent and covenant of marriage in a mysterious union. By Gods architecture in humanity, male and female are made anatomically, emotionally and spiritually for one another, for oneness. Through divine intention, by joining together, the husband and wife represent the full spectrum of the Gods image. As Gods unity is everlasting, the marriage unity is designed to be reflective of his everlasting nature, by two people giving themselves over into a permanent circle of shared companionship. In the context of the letter to the Ephesians it appears that marriage is set within the meta-narrative of Gods restoration of all things under the headship of Christ. This includes all of humanity who believes, Jews and Gentiles, the body of Christ, the church. Paul sets forth Gods purpose of humanity â€Å"to bring all things in heaven and on earth together under one head even Christ† (Eph. 1:10). The authority of Christ is supreme, he is the head of all things, and all things are subjected to him. This overarching sovereign work of God becomes the central purpose for a unified marriage. Unity in marriage is developed from sharing this God-given mission and purpose. Conclusion The longest statement in the New Testament on the unity of marriage and the relationship between husbands and wives is found in Ephesians 5:21-33. In this passage Paul conveys the distinctive roles for wives and husbands and at the same time reveals the way it corresponds to the relationship between Christ and his church. In this way, marriage serves as a metaphor of deeper spiritual realities. The truth marriage mirrors is that the unity of husbands loving their wives to become one flesh/body is a dimension of the great mystery of the unity of all believers into the one â€Å"body† of the church through the self-sacrificial love of its head, Christ (Eph 5:2, 23-30, 32). Marital unity in love adds to the great cosmic mystery of unity causing the growth of all things to Christ, so that all might be united under him. This theme of unity among uniqueness is present all throughout the cosmos and creation. Flowing from the Trinity, the theological underpinning of the essence of unity and uniqueness has wide-ranging implications for the study of Scripture, the function of marriage, and ecclesiology. Basically, this doctrine is the foundation of practical Christian reflection of the diversity and unity within the Godhead. The human family is not the only way God has ordained to reflect his unity to the world. Within the church we have â€Å"many members† and yet â€Å"one body† that display his glory (1 Cor. 12:12). Unity and Uniqueness in the Church The unity of the Church is a theme that carries throughout the New Testament. There is not a clear, concise, summarizing definition of the church put fort